Wednesday 30 October 2013

Gandhian Literature

Gandhian Literature
Paper – 4(Indian writing in English)
Name – Shital D Italia
Roll no – 34
Submitted to – Smt.S.B.Gardi
                           (Department of English
                            M.K University Bhavnagar)


Introduction

                M.K Gandhi was a gigantic man. For India he is an ‘avatar’. He was no doubt primarily a man of God, but he was also a practical man who was exhibition of tight rope dancing in the interest of theoretical consistency.
Gandhi such a huge man naturally influenced India and Indian literature .whatever were his principals and opinion ,qualities ,service and reforms, all found place in literature.
The Gandhi literature is marked by the following traits.
1)    Bilingualism : Mother tongue and English

Gandhi was a Gujarati.He educated in Gujarati schools. This gave him an opportunity to be in close touch with English. Gandhi set an example for upcoming writers. His writing in various magazines and his autobiography led the writer to write in double languages. Moreover earlier writers like Raja Rammohan Roy, Lokmanya Tilak, and Sri Aurobindo wrote in English and in their mother tongue.

2)    Simplicity, Directness and Clarity.

     These three things are found in Gandhi Literature. They became characteristics of Indian English writing. What Sri Aurobindo wrote, was understand by intellectual, English speaker as he was a learned man. The Writers attempted not the style but directness.Ornamental, artistics language was discarded. In regional too, these characteristic were marked.

3)    Rural life
    
     Gandhi went village to village. He moved all over India. Plight of peasant, Poor and downtrodden was horrible. He could not bear it.
       “There is implied a contrast between the two: Urban luxury and sophistication on the one hand rural modes and manners on the other”
 Shankar Ram’s ‘Children of cauery’ and ‘love of Dust’, Humayun Kabir’s ‘men and Rivers’ bring various picture of Indian parts.

4)    Gandhian Economics

        Gandhi’s economics view and practice changed India completely as he stressed self independence in every sense. Gandhi was against industry because it will ruin village industry. ‘Unto this Last’ a book of Ruskin made him thoughtful in terms of rise of everyone, which he named as ‘saryodaya’.
 
5)    Gandhian politics

Various Gandhian movement influence. Satyagraha movement,Non cooperation move were chiefly mirrored.Domestic and personal problem were also dealt with.Quite india movement is seen in kamala Markandaga’s novel ‘ Some inner Fury’.Gandhi himself is a character in R.K.Narayan’s ‘Waiting for mahatma ‘ and in Mulk Raj Anand’s ‘Untouchable’ and the ‘The Sword and the sickel’ may of political leaders also arreared in the fiction.

6)    Gandhian socialistic view.
There are other novels which have tried to catch some of the traits of Gandhi’s life and his period. The idealism,the agony,the violence, the shocks of defeat, breach between hindu and mislim unity etc. Nayantara  sehgal’s ‘ Atime to be happy’ and Dharati sarabhia’ play ‘ The well of the people’ and ‘Two women’ have mirrored various aspects.






Drydens comparative criticism with Shakespeare, Ben jonson ,Fletcher Beaumont

                                                  ASSIGNMENT PAPER NO- 3
v(Literary criticism and Theory)
                     
vTopic- Dryden’s comparative criticism of Shakespeare, Ben Jonson, Beaumont and Fletcher in “An Essay on dramatic poesy)

vSubmitted to – Smt.S.B Gardy
Department of English
v(M.K. University Bhavnagar)

vName- Shital D Italia
vRoll no – 34
            



vIntroduction
Ø  John Dryden was a great restoration poet as well as critic. He was a versatile writer who left no branches of literature untouchable. He produce lots of outstanding merits in each field. He was a poet, prose writer, dramatist and critic also. His works like “An essay on dramatic poesy”, “Preface and dedication” and “preface to fables” are his chief contribution to criticism.
                          Among them his” Essay on dramatic poesy is regarded as an important landmark in history of literary criticism. He established himself as a revolutionary critic. So Dr.Johnson called him “The Father of English criticism”.

Dryden’s contribution.
  
1)    Progress and Modernity.

            Dryden has deep faith on progress and modernity .He objects to the pettiness to the roman comic plot. He finds that roman play lacks in moral instruction in wit, in warmth of love scene. But at the sometime he admires their plot and regularity of structure. He finds fault in ancient writers, but considered them to be the best teacher of the modern. He advocates classical restraint in diction.

2)    Comparative criticism

            Dryden’s comparative criticism theory is proved revolutionary, before Dryden, most of the classist had been conduct to compare modern literature with Greek and Latin, because they were regarded as a perfect model for all time. According to him the critic who accused Shakespeare for his liberalization in using the dramatic technique had no passion to delve deep in understanding of Shakespearean style. According to him they might not have noticed that
                              
                             “Art is Dynamic not a static force”


v  His originality and Liberalism

           Dryden was genius and it is well expressed in his criticism. He influenced by Aristotle and
Cicero but he disregards them if they are fentastic.He gives more important to delight then to instruction in his criticism. He says that,

“Delight is the chief, it not the end of poesy”

v John Fletcher (1579-1625)

          He was an English poet and playwright, although he wrote many works alone and with several different dramatists he is best known for his collaborative with fellow playwright Francis Beaumont.
                 Fletcher’s real talent lay in comedy, especially in the genre of tragicomedy. His style of tragicomedy at its best manages to generate considerable power the sheer variety of the emotion it arouses. He is the master of plot and character and used exaggerated speech for dramatic effect. In the Elizabethan drama we can found generally ten syllable line while in Fletcher’s play he used 11 lines sometimes 12 syllables. But the wild appearance of his Drama is that Extravagance language. He is a highly mannered style.
              The hero of Fletcher’ play were preoccupied wit the theme of love or honor or sometime both together. Fletcher’s particular technical abilities served him well in handling plot of comic intrigue and his delight.

v William Shakespeare (1564-1616)
   
          Dryden remarks on Shakespeare, He ceases to be a classicist and goes over to the other romantics. Dryden considers him as a “comprehensive soul”.
                  In his “essay on Dramatic poesy “he says that Shakespeare he was the man who of all moderns, and perhaps Ancient poets. All the image of nature was still present to him, and he drew them not laboriously, but luckily: when he describes any thing we can see and feel it.


v Ben Jonson
                  
                   Ben Jonson was both a creative and critical writer. He was an English playwright and poet best known for his satiric comedy “Everyman in his humor” and “Everyman out of humor”

                 
                   Dryden believes that he was most learned and judicious writer which any theater ever had. He was a most server judge of himself as well as other. One cannot say he wanted wit, but rather that he was frugal of it. In his critical work “Discoveries” we may also find three things for the good style i.e.:

To read the best authors.
To observe the best speakers.
Has much exercise of his own style.














 



Age of pope ( major poets and prose writers)

                      
                      Topic: Age of pope (Major prose and poetry
                       Writers)
                      PAPER: Neo- Classical literature
                      Submitted to-Smt .S.B Gardy
Department of English
                     (M.K.University Bhavnagar)
                     Name- Shital Italia



                    
                   
                     Historical background of the age
       The first half of the eighteenth century is remarkable for the rapid social development in England. Hitherto men and others had been more or less governed by the narrow ,isolated standard of the middle ages, and when they differed they fell speedily to blows .now for the first time they set themselves to the task of learning the art of living together ,while still holding different opinipon.In a single generation nearly two thousand public coffeehouses ,each a center of sociability sprang up in London alone, and the number of private clubs is quite as astonishing. This new social life had a marked effect in polishing men’s words and manners.
The literary characteristics of this age
1)      Prose occupies the front position.
2)      The prominent writers took on active part and a large numbers of pamphlets, journals and magazines were brought out in order to cater to the growing need of the masses.
3)      Poetry was considered inadequate for such a task.
4)      A rapid development of prose.
5)      Prose writers of this age excel the poets in every respect.
6)      The graceful and elegant prose of Addison’s essays.
7)      The terse style of swift’s satire.
8)      The sonorous eloquence of Gibbon’s history.
9)      The oratorical style of Burke.
10)  Poetry also had become prosaic.
11)  Poetry became polished, witty and artificial, but it lacked fire, fine feeling, and enthusiasm.

Major Prose writers
1)    Jonathan swift
Born- November, 30 1667 in Dublin.
Death- October 19, 1745 in Ireland.
Spouse-Esther Johnson.
Education-Hertford collage, oxford (1694) university of Dublin, Trinity College Dublin.


     He suffered from Menier’s disease a condition of inner ear that laves the afflicted nauseous and hard of hearing. Glorious revolution of 1668 spurred swift to move to England and start a new. His mother found a secretary position for him in the revered English statesman, Sir William Temple. Ten years, swift worked in London Moor park, and acted as an assistant to Temple, helping him with political and also in the researching and publishing of his own essays and memories. His first political pamphlet was titled ‘ A Discourse on the contests and Dissention in Athens and Rome. He consider as a greatest of English prose writer.

His prose
1) A tale of a tub.
.Written as early as 1696 and published in 1704.
Ø  It regarded by many as swift’s best work.
Ø  It is full of wit and brilliant in its imaginative power and the incisiveness of its thought.
Ø  It is full of wit and brilliant in its imaginative power and the incisiveness of its thought.
Ø  The style is terse avid has a sustained vigor, pace and colorfulness.
Ø  The book was intended as an attack on the enthusiasm of Roman Catholic.

2)  Gulliver’s Travels
Ø  Witten between 1720 and 1725 and published in 1726.
Ø  IT deals with imaginary voyages in Gulliver’s case among the pigmies (Lilliputians), the giants (Brobdingnagins), the moonstruck philosopher (Laputa) and the race of horses (Houyhnhnms) with their human serf the yahoos.

3) Journal to Stella
Ø Written chiefly in the year 1710 to 1713.
Ø It is an excellent commentary on contemporary character and political by one of the most powerful and original minds of the age.
Ø Its love passages and purely personal description, it gives us the best picture who posses of swift himself the summit of his power and influence.

Other works of Swift.
1)      The conduct of the Allies(1711)
2)      The Barriers Treaty (1712)
3)      The public spirit of Whigs (1714)

2) Joseph Addison
Born-1672 in Milston, Wiltshire.
Death-1719.
Education-charater house, Oxford University.

          He obtained travelling scholarship of three hundred pounds a year and saw much of Europe under a favorable condition.
  In 1704, it is said at the instigation of the leaders of the Whigs, he wrote the poem ‘The Campaign’ praising the war policy of the Whigs in general and the worthiness of Marlborough in particular.

His Poetry

1)  The campaign
Ø  Written in 1704, this gives him reputation as one of the major poets of the age.
Ø  It is written in heroic couplet.

His Drama

1)  Cata
Ø  Produce in 1713.
Ø  It is written in laborious blank verse

2) Rosamond (1707)
3) The Drummer (1715)

               His Prose
1) The Tattler
Ø  Appeare thrice in weekly
Ø  published on April 12,1709
Ø  Finished in January 1711.

2) The spectator
Ø  Issued daily
Ø  variation of fortunes , price and  time of issue
Ø  Ran until December 1712.
Ø  published in march 1711
Ø  ‘The spectator’ includes 274 essays out of a complete total of 555.
3) The Guardian
Ø  Published in March 1713.


4) Sir Richard steele
Born-1672
Death-1729
Eucation-Charter house school, Oxford University.

Ø  He was in turn soldier, captain, poet playwright .essayist member of parliament, manager of theatre, publisher of newspaper and twenty other things.

His Drama

1)    The funeral (1701)
2)    The lying lover(1703)
3)    The Tender husband(1705)
4)    The conscious lover(1722)
His Essays
1)    The Tattler (1709)
2)    The Spectator(1711)
3)    The Guardian(1713)
4)    The Englishman(1713)
5)    The Reader(1714)
6)    The plebeian(1719)


Major poets
   
     The poetry for the first half of the century, as typified in the work of pope ,is polished and witty enough ,but artificial; it lucks fire ,fine feeling, enthusiam,the glow of Elizabethan age and the moral earnestness of puritanism.In a word, it interests us as a study of life, rather than delight or inspire us by its appeal to the imagination.

The Characteristics of classial poetry.

Ø Classical poetry product of the intelligence playing upon the surface of life.
Ø Emotion and imagination is markedly deficient.
Ø Didactic and satiric commonly.
Ø Poetry of argument and criticism of political and personalities.
Ø Exclusive-town poetry.

1) Alexander pope
Born-London in 1688, the year of the revolution
Death- 1744.


Ø  In the First place he was for a generation “the poet” of a great nation.
Ø  He was a remarkably clear and adequate reflection of the spirit of the agein which he lived.
Ø  He became dominant poetical personality of the day.

Works of Pope
         For convenience we may separate pope’s work in to three groups, corresponding to the early, middle, and later period of his life.

1)   Essay on criticism
Ø  The’ Essay on criticism ‘sums up the art of poetry as taught first by Horace, then by Boileau and the eighteenth classicists.
Ø  It is written in heroic couplet, we hardly consider this as a poem but rather as a storehouse of critical maxims.

2)   Rape of the Lock
Ø  It is a master piece of its kind, and comes nearer to being a ‘creation’ than anything else that pope has written.
Ø  Between 1731 and 1735 pope published a series of philosophical poems, including

1)      To lord Bathurst.
2)      Of the use of riches.
3)      Of the knowledge and character of men.
4)      Of character of women.
5)      An essay on man.

Ø  The year 1733 and 1737 mark pope’s last important period of production.
1)      Imitation of Horace.

2)      Prologue to the satires.


v Matthew prior

Born – 1664 in dorsetshire.
Death – 1721
Education- Cambridge University.

Ø  He was early engaged in writing on behalf of the Tories, from whom he received several valuable appointments.


His works

1)    The plind and the panther Transvers’d to the story of the country and the city mouse(1678)
Ø  Written in collaboration with Charles Montagu.

2)    Alma : or the progress of the mind
3)    Solomon on the vanity of the world(1718)

Ø  Written in heroic couplet, it aims at being a serious poem, but its serious is often marred with levity, and its shows no wisdom or insight.


Edward young
  Born- Hampshire in 1683
Death-1765
Education-Oxford University

Ø  He lived much in retirement though in his later years he received a public appointment.

His works

1)    The last day(1714)
2)    The force of religion (1714)

Ø  Both are moralizing and written in the heroic couplet.

3)    The love of fame (1725-28)
Ø  This shows an advance in use of the couplet, and a poem in blank verse.

4)    The complain or night thought on life
5)    Death and immorality (1742).